Such is the influence which the condition of our own thoughts exercises, even over the appearance of external objects. Men who look on nature, and their fellow-men, and cry that all is dark and gloomy, are in the right; but the sombre colours are reflections from their own jaundiced eyes and hearts. The real hues are delicate, and need a clearer vision.
― Charles Dickens, Oliver Twist
It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art’s principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates ‘value’ and becomes, ipso-facto, harmless. As far as today’s politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power.
―Robert Hughes, The Shock of the New
The man I am writing about is not famous. It may be that he never will be. It may be that when his life at last comes to an end he will leave no more trace of his sojourn on earth than a stone thrown into a river leaves on the surface of the water. Then my book, if it is read at all, will be read only for what intrinsic interest it may possess. But it may be that the way of life that he has chosen for himself and the peculiar strength and sweetness of his character may have an ever-growing influence over his fellow men so that, long after his death perhaps, it may be realized that there lived in this age a very remarkable creature.
—W. Somerset Maugham, The Razor’s Edge
When you have once seen the glow of happiness on the face of a beloved person, you know that a man can have no vocation but to awaken that light on the faces surrounding him; and you are torn by the thought of the unhappiness and night you cast, by the mere fact of living, in the hearts you encounter.
You live not for yourselves; you cannot live for yourselves; a thousand fibers connect you with your fellow-men, and along those fibers, as along sympathetic threads, run your actions as causes, and return to you as effects.
–Henry Melvill, Golden Lectures for 1855. Often misattributed to Herman Melville.
Full Moon Reflections
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the smiling face of Anatolia
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Light is important to us humans. It influences our moods, our perceptions, our energy levels. A face glimpsed among trees, dappled by the shadows and the green-tinged light reflected from the forest, will seem quite different to the same face seen on a beach in hard, dry, sunlight, or in a darkening room at twilight, with the shadows of a venetian blind striped across it like a convict’s uniform.
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Your morse code interferes with my heart beat. I had a steady heart before you, I relied upon it, it had seen active service and grown strong. Now you alter its pace with your own rhythm, you play upon me, drumming me taught.
―Jeanette Winterson, Written on the Body
