Quote for Today: Paulo Coelho
A crossroad is a holy place. There, the pilgrim has to make a decision. That is why the gods usually sleep and eat at crossroads. Where roads cross, two great …
Featured Artist: Julia Antinozzi
Synkroniciti is excited to welcome back dancer, choreographer and experimental filmmaker Julia Antinozzi, based in New York City. “Daylong Breathing,” with music of the same name by Orlando-based Eola, is …
Quote for Today: Salman Rushdie
Sometimes by a woodland stream he watched the water rush over the pebbled bed, its tiny modulations of bounce and flow. A woman’s body was like that. If …
Featured Artist: Jonathan Yungkans
Please join us in welcoming back poet Jonathan Yungkans. Synkroniciti is excited to present two intriguing poems about human nature and its eccentricities, “You Don’t Learn the Cancan at Obedience …
Quote for Today: Erich Maria Remarque
I lie down on many a station platform; I stand before many a soup kitchen; I squat on many a bench;–then at last the landscape becomes disturbing, mysterious, and familiar. …
Quote for Today: Rumi
Your hand opens and closes, opens and closes. If it were always a fist or always stretched open, you would be paralyzed. Your deepest presence is in every small contracting …
Quote for Today: Mohsin Hamid
Maybe we are all prospective migrants. The lines of national borders on maps are artificial constructs, as unnatural to us as they are to birds flying overhead. Our …
Featured Artist: Sabrina Mazzola
Welcome our last featured artist for the new issue, Sabrina Mazzola, whose mixed media paintings explore the internal world of human emotion, thought and feeling, in all of its varied …
Quote for Today: James Rosenquist
Popular culture isn’t a freeze-frame; it is images zapping by in rapid-fire succession, which is why collage is such an effective way of representing contemporary life. The blur between images …
Quote for Today: William Faulkner
The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks …