“Dreams” Featured Artist Naomi Ruth Lowinsky
Synkroniciti is thrilled to welcome back poet Naomi Ruth Lowinsky of California with two powerful poems engaging with the dark political and cultural currents that are resurfacing in our time. …
Synkroniciti is thrilled to welcome back poet Naomi Ruth Lowinsky of California with two powerful poems engaging with the dark political and cultural currents that are resurfacing in our time. …
Synkroniciti is pleased to welcome poet and writer Shannon Frost Greenstein of Pennsylvania with “Baby Jessica is Still in the Well,” a historical poem about Jessica McClure, an eighteen-month-old who …
Synkroniciti is thrilled to welcome back Mexican surrealist painter Mercedes Marin Giménez, who debuted in “Haunting” in ekphrastic collaboration with poet Brian Duran-Fuentes. “Identity” features four of her gorgeous paintings …
Synkroniciti is thrilled to announce the winner of our “Identity” poetry contest, Akua Lezli Hope’s “Black Orpheus V.” We had wonderful poetry submitted for this theme and there were eight …
Synkroniciti is overjoyed to welcome Canadian writer and photographer Kerri Merriam, our cover artist for “Haunting.” Trapped, our spine-tingling cover, is shown inside the issue in its entirety, capturing the …
Synkroniciti is excited to welcome back Louisianan writer Stacie Eirich with “Nova,” a short story about a special teen who communicates with the stars through singing. This strange and wondrous …
Synkroniciti is excited to welcome writer Laurie b. Frankel, based in California, with a fascinating essay, “Angkor Wat.” Laurie takes us to Cambodia and introduces her tour guide, Poeu. Poeu …
Synkroniciti is excited to welcome poet Jessica Cohn, currently based in Santa Cruz, California, with three thought-provoking poems. “Languishing” is a clear-eyed lament for the American Justice system and “the …
There will always be the facts of life to contend with, and there are times when the facts can become overwhelming. Yet, there is a poem at the heart of …
While restraint is apparent to anyone in daily contact with animals, Western thought hardly recognizes the ability. Traditionally, animals are depicted as slaves of their emotions. It all goes back …
