“Patterns” Featured Artist Burcu Seyben
Synkroniciti is proud to welcome back Turkish American playwright and writer Burcu Seyben with “Broken Mirror: On Home and Language.” In this poetic essay, arranged into reflective fragments, Burcu examines …
Synkroniciti is proud to welcome back Turkish American playwright and writer Burcu Seyben with “Broken Mirror: On Home and Language.” In this poetic essay, arranged into reflective fragments, Burcu examines …
Synkroniciti is thrilled to announce the winner of our “Intersections” cover art contest and reveal the face of the new issue! We have selected the first panel of a …
Attachment theory teaches us that true autonomy relies on feeling securely connected to other human beings. Current developments in the field of attachment science have recognized that bonded pairs, such …
Synkroniciti is thrilled to welcome poet and spoken word artist Jack M. Freedman. Our June 1st issue will feature Bestiary/Bestiario, a captivating poem about the creative world which is home …
Synkroniciti is honored to award the prize for our “home” poetry contest to Charles Elliott’s striking “L.A. Neighbors.” In modern city life, how often do we make assumptions and draw …
I turn on my computer to search Craigslist for apartment listings. The wireless window pops up, and I realize with some regret that all I know about my neighbours …
In response to the Covid-19 outbreak around the globe, Synkroniciti will be posting a video of a poem every day for forty days. If you would like to participate, please …
Today you go into make a modern recording with all this technology. The bass plays first, then the drums come in later, then they track the trumpet and the singer …
Modern man lives isolated in his artificial environment, not because the artificial is evil as such, but because of his lack of comprehension of the forces which make it work- …
There’s another disadvantage to the use of the flashlight: like many other mechanical gadgets it tends to separate a man from the world around him. If I switch it on …
