Top Ten Videos of 2015

2015 has been an incredibly busy year for me and for synkroniciti. We’ve been busy with Open Mics and the beginnings of our first collaborative project, Euridice Revealed, an exploration of the Orpheus and Euridice myth from a feminine point of view. I’ve managed to keep posting despite a jump in my workload as a performer, teacher and artist, as well as some recent health issues. You have responded warmly, even when all I can manage is a Quote for Today. Thanks for being here with me!

This is our first top ten list of 2015; I’ll post more in the next few days. These videos received the most hits over the past year and I think you’ll see why. If you find a video engaging, feel free to click the link above the video to read the original post.

All of these videos come from creative people that have put their work up on YouTube or Vimeo and are not produced by or affiliated with synkroniciti. I am grateful to those artists and pleased to be able to comment on and share their work.

Enjoy synkroniciti’s most viewed videos of 2015! Exciting world music, social issues, feats of athleticism and skill, animation, imaginative film making, and profound stories…they are all here for you.

10. The Mystery of Gender: Robina Asti and Flying Solo

 

9. Transformative Life: The Power of Imagination in Dhafer Youssef’s Whirling Birds Ceremony

 

8. Lovingly Carried: The Enchantment of Božo Vrećo’s Lejlija

 

7. Reverent Strength: The Soulful Mbira of Hope Masike: a double feature!

 

6. Body in Motion: Climber Natalija Gros in Le Tango Vertical

 

5. Obstacles from Within: Mind is a Jungle

 

4. Modern Creation Myth: Thoughts on Abiogenesis by Richard Mans

 

3. Through the Dream of a Child: Brent Bonacorso’s West of the Moon

 

2. In Love with a Train: The Fateful Whimsy of Pica Do 7

 

1. Reverence, Laughter and Disgust: Trashion by Marina DeBris

 

Thanks for watching and for making 2015 a great year! We’ll be picking up the pace in 2016.

Lovingly Carried: The Enchantment of Božo Vrećo’s Lejlija

Our world seems increasingly fractured by mistrust and hate. Can music, especially that of the human voice, heal those fractures?

Sevdalinka or Sevdah music is a genre of folk music that flourishes in the Balkan region of southeastern Europe, including Bosnia-Herzegovina, Croatia, Macedonia, Montenegro and Serbia. These elaborate and virtuosic songs are set in moderate or slow tempos and speak of love, loss and longing. Traditionally, these melodies have been unaccompanied by instruments, giving the singer complete control over rhythm and tempo and creating the potential for intensely emotional and spontaneous performances. Sevdah is related to Portuguese fado in subject matter and in origin, stemming from a synthesis of Asian, Greek and Sephardic sources.

Image © Petra Cvelbar used in accordance with CCLicense

Image © Petra Cvelbar used in accordance with Fair Use Policy

Božo Vrećo, lead singer for the band Halka, is a popular singer of Sevdalinka. He combines traditional elements with an extremely modern sense of identity and gender. His voice is virtuosic and tender, powerful and gentle. Moy Sevdah, or My Sevdah, is his first solo album, completely unaccompanied, and it is a stunning exploration of the genre.

Sevdah was originally sung by women and provided a place where the feminine spirit could pour out its frustration, desire and disappointment. Some songs speak unabashedly of physical desire and a few have comic or ironic elements. Men followed suit later with their own sevdalinka, exploring their psyches through music as well. Božo Vrećo embraces both masculine and feminine sevdah, employing his otherworldly high tenor in songs sung by both women and men. To farther emphasize this choice, his wardrobe is ambiguous, interchanging gowns and dresses for suits and long caftans that recall dervishes. Sometimes bearded, he wears eye makeup and posts pictures of himself online smiling with his long black hair in curlers.

bozo-vreco-6Despite all this, Božo Vrećo does not identify himself as transgender nor as a cross dresser, as some have labelled him. In his view, we all contain masculine and feminine elements and he is only being true to that which he is. In conservative Bosnia, where LGBTQ rights are not popularly accepted, he enjoys enormous popularity. This immense talent and sensitive persona wins hearts remarkably easily. I don’t know about you, but this gives me hope for the human race and awe at the power of music and expression.

This video, Lejlija, or Leila, is a short taste of the passionate beauty of Božo Vrećo’s art. It is a heartbreaking lament sung by a young girl who is dying, addressed to her mother. She will never be married and will never have the life that they hoped she would have. Tomorrow, when the village celebrates Eid, breaking bread as the daily fasting of Ramadan ends, she will no longer be on Earth. She clings to life, symbolized by bread, even as she knows she must leave it, and dances in a style reminiscent of the Sufi dervishes, who do so to abandon their own egos. Her intense sorrow is partnered and sweetened by the certainty that she is being lovingly carried to the next life, both by her fellow villagers and by the emissaries of God. The dark man, stern, yet loving and patient, is a portrait of the Angel of Death, Azrael, who serves God by collecting the souls of those who are departing this life.

The words and music of Lejlija were written by Božo Vrećo and are dedicated to his mother. Absolutely enchanting.

Video via Božo Vrećo on YouTube.

On the eve of Eid, she fell sick, mother’s only child Lejlija.
She suffered, grieved, wailed and said: My dear mother, if I die, clothe me in traditional clothing!
Unbraid my hair like golden wheat, let it fall down my face!
Let them carry me, the young men on both sides, and let them sing songs and not sleep at night while guarding me.
Like a new bride, bathe me with water from the pitcher for my long journey, mother, from hand to hand I’m lovingly carried, mother, lovingly carried.

Moy Sevdah is available on Amazon and iTunes. I wholeheartedly recommend the entire album, which includes seventeen songs, some of which are more virtuosic than Lejlija, which is somewhat subdued.